Bollywood: A journey of Indian Cinema
Bollywood:
A journey of Indian Cinema
Bollywood is the Indian Hindi
language film industry, based in the city
of Mumbai, Maharashtra, India. Bollywood is only a part of the larger
cinema of India also known as Indywood which includes other
production centers producing blockbuster films in many other Indian languages.
Bollywood is the largest film producer in India, representing 43% of the net box office, Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood.
Indian
cinema suffers Many ups and downs, sometimes economy of this increase like
a giant, sometimes it fell vigorously.The whole journey of Indian cinema is
classified in some stages
First Stage: The beginning of journey
The
journey of Bollywood starts with a silent movie named as Raja Harishchandra. This movie was
released in 1913 and it is directed and produced by Dadasaheb
Phalke, and is the first full-length Indian feature film. The film was
based on the legend of Raja Harishchandra, recounted in the Ramayana and Mahabharata.

In 1937, Ardeshir Irani, of Alam Ara fame, made the first colour film in Hindi, Kisan Kanya. The next year, he ma de another colour film, a version of Mother India.
Golden Era of Indian Cinema
After the independence of India in 1947, the cinema industry rises gradually. The period from the late 1940s to the 1960s is regarded by film historians as the "Golden Age" of Hindi cinema. This period saw the production of some of India’s most critically acclaimed directors, actors and actresses, and films of all time

Some of the most critically acclaimed Hindi films of all time were produced
during this period. Examples include Pyaasa (1957) and Kaagaz
Ke Phool (1959) directed by Guru Dutt and written by Abrar
Alvi, Awaara (1951) and Shree 420 (1955)
directed by Raj Kapoor and written by Khwaja Ahmad Abbas,
and Dilip Kumar's Aan (1952). These
films expressed social themes mainly dealing with working-class urban life
in India.
Some of the most famous epic films of Hindi cinema were also
produced at the time, including Mehboob Khan's Mother India (1957),
which was nominated for the Academy Award for Best Foreign Language Film.
Successful actors at the time included Dilip Kumar, Raj Kapoor, Dev Anand, and Guru Dutt, while successful actresses included Nargis, Vyjayanthimala, Meena

Kumari, Nutan, Madhubala, Sadhana, Waheeda Rehman and Mala
Sinha.The three most popular male Indian actors of the 1950s and 1960s were
Dilip Kumar, Raj Kapoor, and Dev Anand, each with their own unique acting style
Ever since the social realist film Neecha Nagar won the Grand Prize at the first Cannes Film Festival. Moreover, Satyajit Ray has been described as one of the top filmmakers of the 20th century. His film, Pather Panchali, was ranked among the top ten films in a 1992 poll taken by the British film magazine Sight and Sound.
In the late 1960s and early 1970s,
romance movies and action films starred actors like Shammi Kapoor, Jeetendra, Rajesh
Khanna, Dharmendra, Sanjeev Kumar and Shashi Kapoor and
actresses like Sharmila Tagore, Mumtaz, Saira Banu and Asha
Parekh.
Amitabh Bachchan, the star known for his "angry young
man" roles, rode the crest of this trend with actors like Feroz Khan, Mithun
Chakraborty, Naseeruddin Shah, Jackie Shroff, Sanjay Dutt, Anil
Kapoor and Sunny Deol, which lasted into the early 1990s. Actresses
from this era included Hema Malini, Jaya Bachchan, Raakhee, Shabana
Azmi, Zeenat Aman, Parveen Babi, Rekha, Dimple Kapadia, Smita
Patil, Jaya Prada and Padmini Kolhapure.
Some Hindi filmmakers such as Shyam Benegal continued to produce
realistic Parallel Cinema throughout the 1970s, The 1970s thus
saw the rise of commercial cinema in the form of enduring films such as Sholay (1975),
which consolidated Amitabh Bachchan's position as a lead
actor. Another important film from 1975 was Deewar,
directed by Yash Chopra and written by Salim-Javed.
New Generation of Bollywood
The period of Hindi cinema from the
1990s onwards is referred to as "New Bollywood" cinema. During
the late 1980s and 1990s, the pendulum swung back toward family-centric
romantic musicals with the success of such films as Qayamat Se Qayamat,Tak(1988), Main Pyar Kiya (1989), Chandni (1989), Hum
Aapke Hain Kaun(1994), Dilwale Dulhania Le Jayenge (1995), Raja
Hindustani (1996), Dil To Pagal Hai (1997), Pyaar
To Hona Hi Tha (1998) and Kuch Kuch Hota Hai (1998).
The 2000s saw a growth in Bollywood's recognition across the world due to a growing of economy. A fast growth in the Indian economy and a demand for quality entertainment in this era, led the nation's film-making to new heights in terms of production values, cinematography and innovative story lines as well as technical advances in areas such as special effects and animation. Some of the largest production houses, among them Yash Raj Films and Dharma Productions were the producers of new modern films
Some popular films of the decade were Kaho Naa... Pyaar Hai (2000), Gadar:
Ek Prem Katha (2001), Lagaan (2001), Koi...
Mil Gaya (2003), Munna Bhai M.B.B.S. (2003), Rang
De Basanti (2006), Lage Raho Munna Bhai (2006), Dhoom
2 (2006), Krrish (2006) and Jab We Met (2007)
among others.
This decade also saw the rise of popular actors and movie stars like Hrithik Roshan, Abhishek Bachchan, Vivek Oberoi, Shahid Kapoor and John Abraham, as well as actresses like Aishwarya Rai, Rani Mukerji, Preity Zinta, Ameesha Patel, Lara Dutta, Bipasha Basu, Kareena Kapoor, Priyanka Chopra and Katrina Kaif.
In the 2010s, the industry saw the
trend of established movie stars like Salman Khan, Akshay Kumar and Shahrukh
Khan making big-budget masala entertainers
like Dabangg (2010), Ek
Tha Tiger (2012), Rowdy Rathore(2012), Chennai
Express (2013), Kick (2014), Happy New Year (2014),
Drishyam(2015), Bajrangi Bhai jaan (2015), Rustom(2016), Airlift(2016), Sultan(2016),
Dangal(2016) and many more....
This is all about the evolution of indian
cinema , from nothing to everything , from mooch to macho, from Rona-dhona to
supercool, from Touch-me-not to pre-marital sex and this is just the beginning ,
picture abhi baaki h mere dost












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